In partial protest, I am putting the mother in the gallery. She is not the idealized mother painted with glowing beams of light smiling down at her child, but the real, subjective, elated, grumpy, sexy, frustrated, proud mother who wishes to express herself in that space, not to be spoken for. I’ve been thinking, researching, and making work along these lines for ten years. In …/ Read this ›
She kept her head down, noting pieces of chrome, the crunch of sandal on pebbles on asphalt, the sound of whirring cars, a dead hawk with its pure white breast ripped apart and wings frayed every which way./ Read this ›
My body is a private and practical thing—something yielded to the production of children and the scrubbing of a bathtub, but not something I would find either pleasure or pride in offering to the public. And yet, here I am, sitting in front of a computer, offering its naked portrait to the public gaze because, as a writer, my job is to be publicly naked./ Read this ›
I got my legs waxed. I needed someone
to hurt me a little.
JCR: It’s really important for me to work not just with Feminist ideas, but within the structure of the arts community and art ecology. In DC I’m super lucky to be able to work almost exclusively with other people who also identify as women, non-binary, and queer people. I’m very very lucky I think. It’s not “cool” in this century to be militant, but I’m pretty militant—if I know a gallery is showing 80% cis male white men, I don’t want to go there, I don’t want to work with them. I’m trying to figure out professionally when or if it’s worth it to make those compromises./ Read this ›
In this interview, Julie Marie Wade speaks with us about writing Catechism: A Love Story, and Kristina Marie Darling discusses the book’s design and layout decisions.
Wade: My guiding question for the project was: What happens after you reach adulthood? What next? Of course I was only seeking to answer this question in light of my own experience, but it seemed an important one to probe given how much emphasis had been placed in my youth on becoming the “right” kind of adult—successful, accomplished, and desirable to the right kind of men. My parents had wished for me a life of greater certainties, fiscal and otherwise, than they imagined were possible with a vocation in the Humanities and literary arts. They had always wanted me to be a medical doctor of some kind, but I had chosen to go a different way. The real deal-breaker, from their perspective, though, was that I had also chosen to give up the prospect of a heterosexual life once I fell indisputably in love with Angie Griffin during that first year of graduate school.
Darling: I try to design books that are beautiful as objects in themselves, enacting and communicating the kind of beauty found in the work. There’s a reason Julie’s work has gotten so much well-deserved recognition. She’s a gifted prose stylist who also addresses ambitious and compelling philosophical questions in her work./ Read this ›
In Robyn Schiff’s A Woman of Property, weeds grow through every domestic space. A nail turns the nursery chair perilous. A doe may or may not replace a girl on an altar. Schiff drops her reader at a fluctuating border, though we don’t immediately know it./ Read this ›
Which means it’s PRIDE month!
Pride weeks, filled with events and parades, are commencing around the nation. It’s a tradition dating back to 1970, with the nation’s first Pride Parade in honor of the one-year anniversary of the Stonewall Riots. So, be sure to check out the Pride events and parades happening in your area.
To our readers in the DC area, DC/ NOVA PRIDE is THIS …/ Read this ›
At this year’s AWP conference, So to Speak proudly introduced the newest supplement to our publishing formats, the Contest Issue. Get a look at and support fantastic writing through purchasing a copy./ Read this ›