Category: Summer 2015

Boob Party

Immediately, I knew I had made the wrong choice. My own need for transparency and truthfulness had not taken into consideration their potential for horror, shock, disgust, and confusion. My younger daughter cried and wanted to snuggle her head in my lap. My older daughter looked absently around the room. There was a long silence, punctuated only by my younger daughter’s whimpers. This was beyond their comprehension, beyond their level of understanding. I had crossed the line, shown them a monster.

Forgiveness / Hurry, Love

Did you think your hand
could rearrange the world
with no consequence?
That I’m just some damn doll,
some pupa, sold
on not eating?

The Writer’s Wife

How must she have felt, their second child thrashing

inside of her—did she already agree with him


that her happiness lay in sleep? In dreaming

of lying in some other room, of a less fickle moon?

Requiem / Take Your Daughter to Work

Later that Crayola morning, Wonder Woman coloring
book and a stack of DC Comics spread across the
black soapstone counter in her lab, her fascination
with cells never quite translated when I preferred
story, a woman who deflected bullets with her wrists,
an Amazon island forbidden to men, a goddess

Emily and the Red Snow / Emily and the Threshers

The men know the truth of twine, cut and tie, chaff and straw, the bundles shat and separated. In the yellow air visions mingle. Animal and plant. Who does the workhorse see with his broad eyes? What stops the sky from slipping off earth’s yolk?

Instructions for the Twenty-Seventh Year

Matchbox triptych: a parrot with human

teeth, a man with a mouthful of blue

rubies, and a faceless child drinking

from a river running backwards.

Via Lido and the Sky Woman

I look at the names of boats —
a misplaced list.

Only remember the word, naught.

Artist Feature: Stephen Skowron

Selections of digital photography from the installation “Transmutation”—Stephen Skowron (with Stephanie Booth).