My Mum is driving. Her skinny body sinks into the leather seats as she takes control of the vehicle. When we turn onto the half-murrum,
I am 4 years old. Learning to read, in tears because the words don’t follow the rules. My mom patiently helps me pronounce the
Why does disability matter in a craft essay? Whether we’re aware of it or not, we’ve already been told narratives about disability. Allow me to
“Write what you know.” Fiction writers have heard it a thousand times with a thousand different meanings attached. It’s a phrase that, when taken at
Artist Statement: Sinejan Kılıç Buchina has for the last several years been exhaustively working on a series focused on time, material growth and social diaspora.
Are you planning on submitting to So to Speak’s annual contest for poetry, fiction, nonfiction, and visual art? If not, you should be! Our staff
The veil of ignorance can prevent us from knowing who we are. But we owe it to ourselves to explore our potential and seize our
Girardi explores the visual and social subjects of the bar through drawings done on site and photographs taken from nights out, happy hours, or simply among the gathering of friends at local bars. Through these drawings, Girardi attempts to mimic and recollect setting, sound, blocks of color, and interaction of the aesthetics surrounding these memories created through the social habits of today’s young urban population.
While not every show will be for or about women or “women’s issues” or for or about diversity and diverse expression, Olly Olly shows are more likely than most in Northern Virginia to include art that represents varied perspectives, a wide variety of cultures, a wide variety of mediums, and a multiplicity of backgrounds and experiences. We think that this diversity results in better shows, in better conversations, and ultimately in the creation of a better art scene and a better community.
My work is often concerned with the everyday, calling to mind the familiar artifacts and ephemera of the mundane and reimagining and transforming them into fantastical dreamlike elements of magical worlds that are just below, above, or somehow beyond our reach. I’m continuously building an ongoing narrative exploring the concept of being a stranger in a strange land. I put myself or a persona or avatar of myself into a variety of situations and environments in order to play with or question a variety of assumptions about embodiment, decolonization, race, sexuality, gender, identity, space, and place.