California Senate Passes SB967: “Yes means Yes” Law

Property of The New School

As Americans we like to rage over the outrageousness of news like this summer’s case of a six-year-old in India who was raped by school staff–a security guard and a gym teacher–while on school grounds. It’s a safe kind of rage–much like pretending that longer hems and looser silhouettes protect us from sexual violence, we can huff and puff over treacherous things happening to poor, uneducated, usually dark-skinned folks in some “third” world nation unlucky in their lack of, well, America.

Yet, as a country, we’re still debating whether “no” really means “no.” Especially if the two individuals in question have a sexual history together; especially if she or he “technically” said ”yes” at some point during the act.   Sadly, educated young people and university officials in campuses across the nations are apparently among the really confused still.  In fact, this past May, the U.S. Dept. of Education named almost 60 schools which investigations of sex crimes had come under close scrutiny.

In California at least, the question of what consent is and isn’t could be cleared up once and for all as soon as  September. The state’s senate has passed SB967 and if the governor signs off on it, college students will have to have  true ”affirmative consent” before getting on with getting “some.”

“Affirmative consent must be ongoing throughout a sexual activity and can be revoked at any time.” — SB967

Here’s hoping.

Until then, I leave you with Laura Passin’s “In Stubenville,” published in our online issue this summer. (Haven’t seen our issue yet? Click here. Ready to submit your own feminist poetry, prose, or visual art? Click here.)

 

“In Stubenville”

They peed on her. That’s how you know she’s dead,

because someone pissed on her.

—Michael Nodianos, laughing

1.

The boys have been boys.

They’ve gone to boy jail.

2.

The girl, they thought as good as dead.

You can do anything to the dead:

we only remember them when they are useful.

But the dead girl was not

dead—she was a girl

instead. To be a girl at a party in Ohio

is to be as good as dead.

The boys will be boys

until they are men.

The girls will be dead.

3.

The girls are anatomical

sketches: here

you dissect the body, here is where

the flesh splits clean open.

Here is where the heart used to beat.

Here are the pearls that were her eyes.

4.

The girl was dead.

The girl was a thing

that once, if you looked at it

from just the right angle,

may have been a person. Not  a

boy. The girl was slung

and carried, hands and feet,

trussed animal.

The girl woke up naked, shoeless,

in a basement. Surrounded.

5.

The boys were shocked: they had held her

funeral. The boys had been boys.

6.

The girl raised herself up, Lazarus,

and testified.

She told us what it is like:

being dead.

It is like being a girl

where boys are boys.

It is any basement,

Ohio.

 

Fall Submission Period Starts Today!

Listen up, y’all!

As of today, August 20th, and until October 25th, we’ll be accepting submissions for our print spring issue. Look into your feminist archives for your best work of fiction, nonfiction, poetry, or visual art, put it through a last round of tough love, and submit!

We know you know this but let us show you our love with a friendly reminder that we recommend  reading past issues for a feel of what makes our feminist hearts swell and minds soar. If you simply cannot endure waiting for your subscription to kick in, may I recommend our fourth annual summer issue, gratis and online for your reading pleasure.

Most important, take a moment to look over our Submit page where you’ll find guidelines for all genres, including the So to Speak blog.

Now begins the waiting game! Happy submission season!

StS Editors

2014-2015

 

 

 

4th Annual Summer Issue Is Here!

Cover Art: 2014 Summer Issue

Fresh from the Issuu presses: the 2014 fourth annual summer online issue is here!

The issue includes all of the genres you’ve come to expect from So to Speak: extraordinary fiction, nonfiction, poetry, and visual art. The editorial staff is happy to introduce you to the work of these feminist writers and artists and invites you to join the conversation. Read the new issue HERE or click on the cover art to the left. Then be sure to check back (great time to subscribe to the blog!) later this summer for posts by our contributing writers and artists, as well as guest writers, on craft and feminism. When you find a blog that resonates with you, engage with the writer via the message board, share the piece widely, and come back for more!

Our blog aims to offer a platform for continuous dialogue on the challenges and successes of our feminisms,  which can be found everywhere. So enjoy reading our latest summer issue, sharing your fave finds, and writing your own contribution to the worldwide dialogue of feminism in action–check out submission guidelines for our journal and blog!

–StS Staff

Here are the writers and artists featured in the 4th annual online summer issue of So to Speak:

Visual Art

Alex Pohl

Fiction

Allison Amend

Sara Erdman

Nonfiction

Catherine Kasper

Eryn Lyndal Martin

Erika D. Price

Poetry

Jessica Rae Bergamino

Joanna Catonar

Sarah A. Chavez

H. V. Crammond

Donelle Dreese

Geanni Galeazzi

Jessica Glover

Jane Joritz-Nakagawa

Becca J. R. Lachman

Giki Marks

Freesia McKee

Laura Passin

Molly Prosser

Dean Shaban

Meredith Trede

Joy Von III

 

 

Wearing the Feminist Badge: Final Words From Our Outgoing Editor in Chief

Last fall, my sister sent me a link to a posting on a website called Imgur (pronounced Im-ih-ger). I don’t remember what the post she sent me was about, but I do remember how I felt I had found a sort of window into the internet. With a swipe to the left or to the right, I could explore all the “most-viral” images on the internet for that day, often accompanied by stories or shared experiences from various Imgur users themselves. Feeding off of the popular, user-generated website Reddit, Imgur focuses on community, with users voting through “upvotes” or “downvotes” what material makes it to the front page of the site.

What one will most commonly find on Imgur is pictures or videos of adorable animals, a funny (or not so funny) meme, a tutorial for how to make the best pepperoni calzones. One can browse the site without ever making a profile or username, and this is what I did for some time, visiting the website through its phone app when I had a spare moment in a waiting room or in line at a store.

I was in bed checking the site when I came across a post that has given me a sizeable amount of unease for the past several months. In it, a group of young women hold up hand-written signs declaring why they don’t need feminism. Their reasons range from, “because I believe in equality and not in entitlements and supremacy,” to “I respect men. I refuse to demonize them and blame them for my problems,” to “I am an adult who is capable of taking responsibility for my own actions.”  One can see why I immediately created a username and began commenting on this post like my life depended on it.

What I most wanted to point out was that none of these young women seemed to have any idea of what feminism actually is. Somehow, the idea of equality for women has become tied up with these misconstrued notions about the domination of men, the rejection of personal responsibility, and a culture of victimhood. I can’t say how this transformation took place (it seems to have something to do with tumblr, which is another content-sharing, online community, but I can’t dive into that hole right now), but the fact that there are women out there who outright reject the title of feminist is appalling to me, especially when these women so clearly are feminists themselves.

Equality is the bottom line of feminism. You can respect men without also demonizing them (I do it all the time!). Of course you are a capable adult; you can thank the generations of women who fought against the infantilization of our sex for being able to publically declare such a thing. These young women, who took to a public forum to proclaim their independence, personal responsibility, and strength, are utter and complete products of the waves of feminism that have been crashing against American culture for the past 200 years.

The issue is, however, these women don’t know that. And, they shy away from the “feminist” or “feminism” terms. These words have become tarnished, covered in the muck of misandry and fanatical, misinformed rebuttals. I spoke about this in my last blog piece, where I mentioned how I had to combat these misconceptions amongst my own family members, but the problem with the young women on Imgur is even stranger to me, mostly because they are feminists. Reluctant as they may be to wear that badge proudly, it is still tacked onto their bodies somewhere, albeit under layers of ignorance and/or confusion.

This rejection of the feminist identity leads to an even more problematic aspect of this trend: the self-centeredness of it all. I can only conclude that each of these young women has led a life free of sexual harassment or of judgment based on how they look or on their sexual habits. That each of these young women has never had to worry about accessing an education or a driver’s license. That each of these women has never had her reproductive rights challenged or been trapped in an abusive relationship. How blessed these young women are, and how infuriating that they cannot see past their own life experiences into those of others who may not have been so lucky.

Beyond the problem of being unwilling to accept the feminist title, these young women are spreading the dangerous idea that women have reached equality in the US and in the wider world. What they are saying, by rejecting the mantle of feminism, is that there is no more work to be done. They are turning away from the gang rapes that happen with stunning frequency in India and elsewhere. They are looking past the millions of women who are unable, for any number of reasons, to make choices about their bodies and when or if they have a child (or how many). They are saying, “okay” to the overwhelming number of rape kits that escape DNA analysis. They are saying: If you are not me, or like me, you do not matter.

What is most important for these women to understand is that it doesn’t matter what you call yourself (though wearing the feminist badge like a crown would be a welcome fashion statement). What does matter is that, if they see the rights of other women (of other people!)  being challenged, though theirs may not be, it is important for them to say something, to do something, to recognize the wrong where there is wrong and confront it.

There’s a fear that goes along with defining oneself as part of a certain cause with perceived expectations. We prefer to live as sketches, erasing and redrawing the lines of ourselves when we feel threatened or uncomfortable. But, I would argue that the young women on Imgur would have to do very little revising to find that they fit into a feminist way of life. And that’s all I wanted to say to them, and to our readers: Like it or not, you’re a feminist. Now, go out there and own it.

____________________________________________________________________________

Michele K. Johnson graduated from George Mason University with her MFA in poetry in 2014. While pursuing her degree, she taught Creative Writing, Literature, and Composition at the university, and served as Editor in Chief of So to Speak. Her work has been featured or is forthcoming in the Ampersand Review, the Ucity Review, OVS Magazine, THRUSH Poetry Journal, and elsewhere.

 

Secrets in the Dark

by Melanie Lynn Griffin

The woman has been roughed up. There’s a bruise on her cheek, and her blouse is ripped. Her long brown hair has been hacked off with a pair of scissors, by her own hands, and several of her teeth have just been brutally yanked out by a tooth-seller. A crowd of filthy men and women taunt her, shoving her along a darkened street. Her voice breaks into a raw, bitter wail. “There was a time when men were kind, when their voices were soft and their words inviting.”

If you’ve ever seen Les Misérables, you probably recognize this gut-wrenching scene. Fantine, a factory worker who has just lost her job, has sold her hair and teeth to pay for her young daughter’s room and board.

Anne Hathaway plays the role in the latest film version of Victor Hugo’s story of love and hate in the French Revolution. She’s painfully beautiful in this scene, bruises dark on her pale skin, eyes sunken and hopeless as she’s pressured into prostitution to support her daughter.

A French army officer has just finished doing his business on top of her. She’s belting out this song, and I can hear people all around me sniffling in the dark of the movie theater:

“I had a dream my life would be

So different from this hell I’m living.

So different now from what it seemed

Now life has killed the dream I dreamed.”

Even the guy behind me with the annoying belching issue seems to be crying. He starts breathing badly, and I wonder if he’s having a heart attack or something. I’m considering turning around to ask if he’s OK, but I don’t want to embarrass him if he’s crying.

His labored breathing suddenly evens out, and I hear the sound of a zipper being closed. Apparently he successfully put himself in the French officer’s place and had his own way with Anne Hathaway in the dark.

“Why didn’t you move?” My therapist’s face had that inscrutable look she gets, and her question seemed as impenetrable as her expression.

“Move?” I echoed. “Why didn’t I move?” An irrational shame nudged a blush up my neck as I tried to remember: Did I even think of moving?

Doctor Z nodded and leaned forward in her chair, elbows perched on her knees and fingers pressed together in a teepee under her chin as if trying to keep her mouth from dropping open.

“Well, I thought about it for a minute, but — I know it sounds stupid — at first I couldn’t believe it was happening. Like, I must be wrong. Then I thought that he was obviously a mess, sick, and I didn’t want to hurt his feelings.” I paused, and my therapist raised her eyebrows. “Wow,” I said.

“Yeah, wow,” she said.

“But I felt trapped. Moving didn’t really seem like an option.”

“Why don’t you journal about this? Writing always helps you. I’ve heard you use those words before, feeling trapped, not trusting your own experience, not being able to take care of yourself because you were worried how it might make someone else feel.”

Doctor Z pulled some papers out of her black bag, the signal that our time was up. I wrote her a check and drove home with only half my mind on the road. “Why didn’t I move?” I kept hearing the question.

First entry:

Tough therapy session. Why didn’t I move away from that guy in the theater? Why did I feel so powerless? The other thing I can’t figure out is why I was afraid to tell anyone, even my friends. Like I had done something wrong, or the whole thing was so disgusting and ugly that I had to hold it in, protect the world from it. Not pollute other people’s lives with my pain. Just like when I was a kid. Don’t tell anyone what’s going on in the house; don’t tell the neighbors about Daddy passing out. Put the vodka bottles at the bottom of the trash bag. It’s all a secret I have to keep.

My mom. The queen of denial. She’s the one who taught me how to keep a secret. When she caught me on the couch with my ninth-grade boyfriend’s hand down my pants, she said, “I know I didn’t see what I just saw,” and she never said another word about it. Mom didn’t even want to tell the doctor that Daddy was an alcoholic when he was lying on life support in the hospital! As if they couldn’t tell. I broke the secrecy code and told the nurse our shameful secret. Daddy died anyway.

Now that I think of it, the voice in my head at the movie theater saying, “That couldn’t have happened. I must be wrong,” was my mom’s voice.

“Good work,” said Doctor Z, when I finished reading my journal entry. “What else?”

“Well, I guess my family was so focused on our shame and secrecy that what I needed didn’t matter much. It’s like I learned that I’m not worth taking care of — I don’t believe I have any rights. Mom never took care of her own needs either — trying not to upset my father always came first. That’s why I was more worried about how that guy might feel if I moved than I was about my own feelings.”

I picked up the cushion on the sofa and began messing with the stitching. “Have I ever told you about when I lost my virginity?” I asked, though I knew I hadn’t. It all came out in a rush. “I was sixteen and I was at a party in an upstairs room with an older guy, kind of a friend. We were messing around and he got really aggressive. I said no to him, told him to stop. I said I didn’t want to, but he went ahead and I thought, ‘Oh well.’ I wanted him to like me, and I guess I figured it wouldn’t be worth the fight. I’ve always felt ashamed of that.”

There was a silence while we sat with my shame and I continued to unravel her cushion.

“You were sixteen, Melanie. Just sixteen.”

“Yes.” More silence. I couldn’t look at her.

“You’re an adult now. You can take care of yourself. You don’t have to be a victim . . . you have choices.”

“Yes, I have choices.” I did not sound like an adult. I sounded like a little girl parroting her mother’s directions. I waited for further instruction.

“Don’t forget to breathe,” Doctor Z reminded me, as she often must.

I exhaled a laugh, set the cushion down, and looked her in the face. “Yes, I do have choices.”

Final entry:

I am going back to the theater tonight. It’s been nearly two months since Les Mis, and I was telling Dr. Z how mad I was at that asshole cause I felt like he had stolen my theater from me. I usually go every week, but the thought’s been making me nauseated.  “I can’t imagine sitting in that seat again,” I told her.

“Well,” she said, “you could sit in a different seat.”

“Oh yeah,” I said, laughing at this obvious solution. “I have choices.”

So I’ve been planning on choosing a new seat. But that’s still making me mad. He stole my spot and I feel l like a victim. So I think I’ll march right down that aisle and sit in my regular seat, twelve rows back on the left. If somebody sits behind me, I can always move.

_________________________________________________________________________________________

Melanie Lynn Griffin leads writing workshops and spiritual retreats. Her writing has appeared in Sierra magazine, AARP Bulletin,WildEarth JournalOutside In Travel Magazine, and a 2014 anthology entitled Answers I’ll Accept. She holds a Masters in Creative Nonfiction from Johns Hopkins University and a Certificate in Spiritual Direction from National Cathedral College. A complete list of publications and her blog Writing with Spirit can be found at http://melanielynngriffin.wordpress.com/


 

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