Filed under: Announcements, Art, Fiction, Nonfiction, Poetry, Uncategorized
As of today, August 20th, and until October 25th, we’ll be accepting submissions for our print spring issue. Look into your feminist archives for your best work of fiction, nonfiction, poetry, or visual art, put it through a last round of tough love, and submit!
We know you know this but let us show you our love with a friendly reminder that we recommend reading past issues for a feel of what makes our feminist hearts swell and minds soar. If you simply cannot endure waiting for your subscription to kick in, may I recommend our fourth annual summer issue, gratis and online for your reading pleasure.
Most important, take a moment to look over our Submit page where you’ll find guidelines for all genres, including the So to Speak blog.
Now begins the waiting game! Happy submission season!
Filed under: Announcements, Post by: Paula B, Summer Online Issue, Uncategorized
Fresh from the Issuu presses: the 2014 fourth annual summer online issue is here!
The issue includes all of the genres you’ve come to expect from So to Speak: extraordinary fiction, nonfiction, poetry, and visual art. The editorial staff is happy to introduce you to the work of these feminist writers and artists and invites you to join the conversation. Read the new issue HERE or click on the cover art to the left. Then be sure to check back (great time to subscribe to the blog!) later this summer for posts by our contributing writers and artists, as well as guest writers, on craft and feminism. When you find a blog that resonates with you, engage with the writer via the message board, share the piece widely, and come back for more!
Our blog aims to offer a platform for continuous dialogue on the challenges and successes of our feminisms, which can be found everywhere. So enjoy reading our latest summer issue, sharing your fave finds, and writing your own contribution to the worldwide dialogue of feminism in action–check out submission guidelines for our journal and blog!
Here are the writers and artists featured in the 4th annual online summer issue of So to Speak:
Eryn Lyndal Martin
Erika D. Price
Jessica Rae Bergamino
Sarah A. Chavez
H. V. Crammond
Becca J. R. Lachman
Joy Von III
So to Speak is thrilled to announce the winners of its 2014 Fiction Contest, judged by Charles Blackstone. The winning pieces will be published in our Fall 2014 issue, so be sure to order your copy today!
CONTEST WINNER: Maurice Carlos Ruffin, “The Anchor Song”
Maurice Carlos Ruffin is a graduate of the Creative Writing Workshop at the University of New Orleans and a member of several writing collectives, including the Peauxdunque Writers Alliance and the Melanated Writers of New Orleans. His work has been published or is forthcoming in Apalachee Review, Regarding Arts & Letters, Ellipsis, South Carolina Review, Unfathomable City, Redivider Journal, Knickknackery, Writing Tomorrow Magazine, and 94 Creations. He is also the recipient of the 2011 Ernest Svenson Fiction Award and the 2013 Joanna Leake Prize for Fiction Thesis, both awarded by the University of New Orleans Creative Writing Workshop.
HONORABLE MENTION: Rachel Mangini, “Classic Manhattan”
Rachel Mangini’s fiction has been published in Smokelong Quarterly and The Fourth River, among other journals. She is currently at work on a novel.
CONTEST JUDGE: Charles Blackstone
Chicago-native Charles Blackstone, one of Newcity’s Lit 50 in 2012 and 2013, is the author of 2013 novel Vintage Attraction. He is co-editor of the literary anthology The Art of Friction and the author of the novel The Week You Weren’t Here. His short fiction has appeared in Esquire’s Napkin Fiction Project, the &NOW Awards: The Best Innovative Fiction anthology, Lewis University’s Jet Fuel Review, and the University of Maine’s Stolen Island. Blackstone has also written essays for the Chicago Sun-Times and The Millions, and his short plays have been produced by Victory Gardens and Lifeline Theaters. Blackstone is managing editor of Bookslut, an internationally acclaimed book review publication and blog.
Blackstone holds degrees from the University of Illinois at Chicago and the University of Colorado, where he directed the Graduate Reading Series and received the Barker Award for Fiction. He has taught at Colorado, Wright College, The University of Chicago’s Graham School, and Shimer College. Currently he is a private-practice ghostwriter, coach, and editor for clients at all stages of the publication process.
Filed under: Announcements, Fiction, Nonfiction, Poetry, Post by: Sheryl R, Uncategorized
For those of you in Seattle for the AWP conference, don’t forget the So to Speak reading today, Saturday, March 1, from 3 PM to 5 PM! Our reading features poetry by Laura-Gray Street, fiction by Jessica Barksdale, and nonfiction by Tim Denevi and takes place at the Pine Box, a restaurant and bar located only a half-mile from the Washington State Convention Center at 1600 Melrose Avenue, Seattle, Washington 98122. We’d love to celebrate great feminist writing and have a drink with you! Most importantly, you’re not going to want to miss the line-up!
Filed under: Announcements, Nonfiction, Opinion, Poetry, Politics, Post by: Sheila M, Uncategorized
Former So to Speak Poetry and Blog Editor Sheila McMullin on the history of the StS blog and using online platforms to advocate for social change:
On March 8, 2011 I launched So to Speak’s blog with a simple one line post. No in-depth journal and provocative claim, just a quick message with the beginning word “Celebrating.” With this word began So to Speak’s interaction as an online open forum for discussing feminist issues as they pertain to art and artist communities. In those early days our editorial circle saw the blog as a supplement to the print journal, providing a space for our contributors to speak in broader terms on their creative process and artistic and feminist intentions in relation to their printed pieces. The blog was an opportunity for the community at large to engage with our activist-driven organization and find in us a community of peers who understand the importance of celebrating feminist dialogue, a safe space to explore identity relations, questions, and build new relations. It was a space for those curious to learn. A place for those skeptical to debate. It is no secret that women and those who don’t identify as cisgender are unproportionally harassed and denigrated on the internet. In launching a blog dedicated to feminism in the arts, I with Blog Co-editor Alyse Knorr were fulfilling a lack we saw in So to Speak’s organizational structure, and stepping up to fight against the notion that women aren’t allowed to play. Of course feminists and budding feminists waiting for a call to action were on the internet. And So to Speak needed to find them and bring them together. We believed that to meet the needs of our feminist allies we had a firm obligation to participate in the online community.
Today StS is still all these things under the care of the current editorial circle, and better, more expansive, more in-depth, more provocative. I am eternally grateful to Blog Editor Sheryl Rivett and her Assistant Blog Editor Paula Beltran for continuing and fostering StS’s online presence. One thing many people don’t really yet understand about encouraging online communities through dedicated and consistent blogging is that it takes a whole lot of energy and a s**t-ton of time. With open minds embracing online opportunities So to Speak has been able to be more of an engaged feminist advocacy group expanding its reach to promote gender parity in the arts and in our communities at large.
That beginning celebratory word on StS’s fresh blog, jumpstarted my personal endeavors of becoming more involved in utilizing web presences for social causes within organizations dedicated to advancing gender parity. I want to celebrate creative bravery. These days many of us engage in online communities through various social media sites that encourage surface level and sensationalist interactions. With sites like Facebook the tendency becomes to showcase only the most thrilling, titillating side of ourselves. These kinds of interactions can at times be a reprieve or fun, but if taken too seriously can interrupt crucial opportunities for empathetic human interaction. Similarly to how hyper-sexualized advertisements and media affect our collective conscious on definitions of “natural” and “beauty,” our most popular social media sites can actually make us feel more lonely, more isolated. Through these sites we have been trained to compare our behind the scenes to everyone else’s highlight reel, a well-worn yet accurate phrase. I don’t deny that sites like Facebook and Twitter play huge roles in providing low-budget socially-conscious groups opportunities to advertise, promote, and connect. These are often the hubs individuals go to see what’s the latest and check updates on news and events. But sites like these can also encourage an ego that denies the validity of another’s identity because of the lack of an ultimate goal of interacting in offline spheres. We forget the avatar on our screens represents a beating human heart, with just as many complex emotions and needs as we have.
I like using the internet very much. It is fun, serves a knowledge-based purpose, and connects me to like-minded folks and family and friends all over the globe. And while the internet allows me to stay in touch with people I love and explore the world without necessarily leaving home, it is still incredibly important to remember that the surface level of interaction while on the internet is through an inanimate object.
As I have become more involved in online communities I understand more the complete necessity for my online presence to directly influence my offline actions. The internet is a tool to make my material and physical life more fulfilling, more understanding, more substantial. So, for AWP 2014 I wanted to bring together creative literary thinkers who actively engage online in platforms they either built themselves because they saw a lack and wanted to fill that space with positive community-focused interaction or significantly monitor and update a unique platform with a socially conscious action-orientated mission for creative thinkers who want to learn to engage online in meaningful, nourishing ways and to talk about how to do so in productively.
On Saturday, March 1, the panelists and I will discuss building unique online platforms, or participating in already existing platforms to shape a cyber presence that provokes actual social change and propagates dissemination of educational materials in the physical world. We’ll discuss and explore opportunities for using our online platforms to evolve typical trite conversations, to change language, to vocalize inclusivity, reform out-of-date sexist traditions, and push out of comfort zones to empower individuals. Through our conversation, I hope we can come together to celebrate our unique visions and encourage users to create an internet that moves away from trolling, harassment, anxiety-provoking sites and moves toward representing the diverse cultures we participate in and the diverse human beings we are.
For you, in the cybersphere, who are ready to start using your online platform to advocate for social change consider what it means to blog with integrity, and focus on opportunities for offline activism by providing links at the end of your posts to others’ organizations or groups who argue for similar productivity you do and could benefit from a charitable donation or some type of volunteer action.
Now go write and share!
Headed to AWP? Be sure to check out the panel that Sheila is moderating!
So You Want to Build a Platform: But What is It & Why Do You Need One? Women Writers & Editors Speak Out (Sheila McMullin, Rosebud Ben-Oni, Molly Gaudry, Sheryl Rivett, Arisa White)
Room 608, Washington State Convention Center, Level 6
Saturday, March 1, 2014
10:30 am to 11:45 am
While women’s voices are underrepresented in print publishing, online activism can balance the scales. Cultivating an online presence is not as easy as DIY and shameless self-promotion tales make it look. Creative thinkers, to highlight minority and emerging voices, develop unique online resources to build ever-expanding communities and celebrate accomplishments. Panelists explore empowerment, utility of web-based writing, maintaining professionalism, and ways to keep viewers returning and sharing.